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An energetic atmosphere dominated the Lancer Radio studio as preparations were finalized for a live musical performance on the weekly online stream-cast show, The Spazmaster’s Domain, on June 1.
Photo of Jen "The Spazmaster" Perez on 6/1/12.
Jen Perez, a.k.a. The Spazmaster, prepares to interview guest band, Yoya, on her live streaming music show, The Spazmaster's Domain in Pasadena City College's Lancer Radio studio on Friday, June 1, 2012. (Natalie Sehn Weber)

An energetic atmosphere dominated the Lancer Radio studio as preparations were finalized for a live musical performance on the weekly online stream-cast show, The Spazmaster’s Domain, on June 1.

The show’s host, Jen Perez, a.k.a. The Spazmaster, animatedly chatted with her guests, the two-man, “folk-tronic” band, Yoya. As the band started tuning their instruments, she switched to business mode as she discussed the show’s song sequences with the soundboard operator.

Moments later, she sat down at a desk in the studio, faced the band and they began to play.

In breaks between songs, Perez quizzed the band members about where they grew up, their musical influences and more. Her witty, conversational style of interviewing created an entertaining repartee between her and the musicians and, in the blink of an eye, the half-hour performance had ended.

photo of jen "spazmaster" perez interviewing a member of the band, Yoya, in PCC Lancer radio studio
Jen "Spazmaster" Perez interviews guest band, Yoya, in the Lancer Radio studio on Friday, June 1, 2012. (Natalie Sehn Weber)

Perez’s boyfriend, Abraham Parker, comes in each week to help with the show.

Parker said The Spazmaster researches her guest bands thoroughly, so the interviews are never dull and her personality enhances the experience further.

“Her style is very humorous and off-the-cuff. She knows exactly how far she can push it on the radio” Parker said.

Communications major Andy Louie, 25, is the co-host of the Lancer Radio sports show, Play-By-Play.

Louie is also the soundboard operator for The Spazmaster’s Domain and has witnessed Perez guide interviews to moments of “pure comedy.”

Yet, Perez can be quite serious, he said.

“She can be a little bit difficult to work with, but it’s because she’s really passionate about what she does,” said Louie. “She wants to make sure that what’s going out over the air is [up] to her standards.”

Perez, who majors in radio production, may have high standards but she also knows not to take herself too seriously. She named herself The Spazmaster due to her lack of physical coordination.

Perez has hosted The Spazmaster Domain for one-and-a-half years and is constantly seeking out “unique sounds” by independent artists, she said.

Her guests’ musical styles have included World, rap, hip-hop and electronica.

Perez finds new bands through Facebook, word of mouth or seeing them perform live.

However, seeing bands play even in small venues doesn’t compare to having them perform live on her show, she said.

“In the studio, you really see what [the artists] bring to the table, how they perform, whether or not they enjoy what they do… all of that good stuff,” Perez said.

Although The Spazmaster’s Domain has been around for less than two years, she has been seeking out fresh bands for several years. In that time, she’s seen a huge shift occur in the music industry.

Previously, the industry produced almost exclusively “digestible, pristine” music, with all its demographics determined, so it was a guaranteed moneymaking franchise, Perez said.

Since then, the industry’s formula lost its allure.

Additionally, the Internet has given musicians the ability to promote themselves. As a result, the artists have flooded the web with new content that is “making labels scramble,” she said.

“People no longer have to listen to what’s popular. They can listen to what they want to as long as they’re willing to find it,” Perez said.

A California native and mother of a five-year-old girl named Bella, Perez said she was brought up listening to a “cornucopia of music” at home.

She also sings, plays guitar and occasionally plays bass and keyboard.

Ultimately, being able to expose people to new music and great artists isn’t just a pleasure – it’s a privilege, Perez said.

“The big payoff for me is being reminded over and over [about] the joy of music, radio and production,” she said.

“When you sit down and hear these people’s stories about how their songs have come to form, it’s just like a little window [into] their heart,” Perez said.

The Spazmaster’s Domain streams live on Lancer Radio on Fridays, 5 – 6 p.m.

 

This article was originally published in the PCC Courier.

 

Basketball Lancer Givon Crump, 22, has signed with CSU Fullerton’s NCAA Division 1 basketball team. A four-year scholarship is included in the deal.

by Natalie Sehn Weber

May 17, 2012

PCC’s 6-foot-7 small forward Givon Crump signs a four-year scholarship to play for the Division I Titans.
(Natalie Sehn Weber/Courier)

Basketball Lancer Givon Crump, 22, has signed with CSU Fullerton’s NCAA Division 1 basketball team, according to Coach Mike Swanegan. ...continue reading "Basketball Star Signs with Division 1 School"

Artists have forever captured emotion and experience in manners words cannot convey. Art major, poet and veteran student Kenneth James is such an artist.

k-james_portraiture_passionate

Artists have forever captured emotion and experience in manners words cannot convey.

Think: “The Scream” by Norwegian painter Edvard Munch, or “Starry Night” by Vincent van Gogh. Words do neither paintings justice – they must be seen to be “heard.”

Art major, poet and veteran student Kenneth James is such an artist.

Although his military service affected him physically and emotionally, it was the trauma that stemmed from his childhood that impacted him so deeply he prefers not to speak about it in public.

“I told some people and they got so devastated, they didn’t know what to do or say,” James said.

Yet, one only has to study for a few seconds James’s self-portrait, “Portraiture of Passion,” before being swept up into the complexity and intensity of the life experiences that permeate its subject.

“My face is [depicted] in pink because it symbolizes passion – and I love the hue,” he said.

The portrait’s rosy face wears purple thick-rimmed eyeglasses, very similar to the black pair James wears daily. Behind the lenses peer impossibly complex eyes, the irises constructed from countless green, blue and brown bits of paper. James has been told the eyes appear as it they are watching or looking back at the viewer.

“People say the piece resonates like a soul, like there’s somebody alive in there,” James said.

The portrait was generated through a process James calls RIP art. Rip because the images are created though the tearing, layering and composition of thousands of pieces of color paper and magazine images, but also R.I.P., as in Rest In Peace.

Artist Kenneth James by Louis C. Cheung
Kenneth James speaks to students at the event “Love Triumphant” on April 28.
Photo credit: Louis C. Cheung

“[I use] Rest in Peace because it [feels] as if my soul has been murdered by trauma,” James said, “[but] I still walk here as a ghost, hoping that someday I can live again.”

Art professor Sue Brown is very familiar with James and his artwork.

“I am drawn to [James's] work because of its intense and varied color,” Brown said. “His ‘RIP art’ is demanding in complexity and surprising in subject matter.”

“I am impressed with his unwavering commitment to his work,” she added.

James is a prolific artist. In addition to his RIP art, he paints, makes sculptures and writes poetry. He presented several art pieces to a PCC audience of roughly 30 people in April.

The event was sponsored by PCC’s poetry club, “Lotus,” and hosted by the club’s co-presidents, Rhianna McGaughey and Gloria Gonzalez in Building C. Gonzalez said the club had recently begun expanding its appreciation to all forms of art.

James called the engagement “Love Triumphant.” In addition to discussing his visual art, he read his poem, “There Is Another Give,” about homelessness.

Veteran student Samantha Sandoval, 22, said she loves James’s poetry because it’s uniquely honest and emotional.

“His artwork affects his poetry. [It's like the two media] bounce off each other – they’re interconnected,” she said.

James said he held the event to educate the audience about trauma, depression and homelessness.

“These are subjects people find difficult to talk about,” he said.

For example, James said, because his physical and emotional disabilities aren’t visually apparent, people often don’t believe they exist and say things like, “You look perfectly fine to me.”

Primarily, he said, only his fellow veteran students are able to truly acknowledge his trauma.

“[Currently,] I’m trying to be successful, write a book, go to school,” James said. “I have a fantasy that a very wealthy benefactor will put me up in a place for a few years and I’ll have the freedom to [write my book and make more art].

“So, yeah, I have lofty dreams, but I believe they may help me [move forward,]” he said.

“I want to be an advocate of truth and justice,” James said. “I have a love for civility and [hope to help] people reach the highest heights of civility through love and education.


This article was originally published in the PCC Courier.

Photograph of PCC Lancer swimmer, Stephen To, awarded JACC First Place Sports Action Photo award.
Photograph of Stephen To swimming in Men’s 200-yard Butterfly competitions
Freshman Stephen To swims toward first place in the Men’s 200-yard Butterfly competitions at the 12th Pasadena Invitational at PCC’s Aquatic Center on Saturday, April 7, 2012. To won the event with a time of 1:53.69. (Natalie Sehn Weber)

 

Natalie Sehn Weber's photograph of PCC Lancer swimmer, Stephen To, was awarded first place in the Sports Action Photo category at the Journalism Association of Community Colleges' 2012 Southern California Conference in Fullerton on Saturday, October 6, 2012.

 

The photograph was featured in the PCC Courier article, Swimmer wins breaststroke at invitational, by written by Brenda Renteria, Asst. Sports Editor, published April 11, 2012.

Man Ray, an American artist, was a prominent participant in the Dada and Surrealism art movements. His Rayographs, which were created through a camera-less photographic process, directly influenced the creation of Natagrams.
Man Ray (1890-1976) was an American artist and prominent participant in the Dada and Surrealism art movements.

Although Ray worked in a wide range of mediums including painting, drawing, found-objects assembly and film, he is arguably best known for his photographs.
One of his most famous photographs (as well as one of my favorites) is Le Violon d'Ingres (Ingres's Violin).

Photograph of Man Ray's Le Violon d'Ingres (Ingres's Violin), Man Ray, 1924; Source: www.getty.edu
Le Violon d'Ingres (Ingres's Violin), Man Ray, 1924
Gelatin silver print
© Man Ray Trust ARS-ADAGP
Source: http://www.getty.edu

In the early 1920s, in France, Man Ray taught himself the camera-less photographic process photo-gramming. He named the products of those darkroom adventures, Rayographs.
Although Man Ray had by no means invented the process, biographer Neil Baldwin described what set Rayographs apart from the work of previous photogram founders:

"[In the darkroom, Man Ray] punctuated the plane of the paper, dispelled whatever impression of flat imagery remained, and veered into unplotted spatial territory, making light an instrument as subtle as the brush had once been in his hands."
- Neil Baldwin, Man Ray, American Artist

Image of "Le Souffle (Breeze)" by Man Ray, Image Source: Philadelphia Museum of Art
Le Souffle (Breeze)
The Fan
by Man Ray

More than 60 years after the first Rayograph was created, I was exposed to Man Ray's work while studying photography at a fine art college in Philadelphia in the mid-1980s. I appreciated the full body of Ray's work, but his photography made the greatest impression on me. It was experimental — sometimes naughty, even — and it announced that there was something more available to the artist in the darkroom. Mastering the techniques of producing photographic prints wasn't all work. There was adventure to be had!

Image of Natalie Sehn Weber's Natagram XXX created in 19xx.
Natagram XXXX
Natalie Sehn Weber, 19xx

In the early 90s, I worked at custom photo lab in the evenings. Working on the evening shift had its benefits. Occasionally, I'd finish my day's workload while the lab remained open, its huge color print processing machines still humming. On those nights, I'd "punch off the clock" and disappear into a darkroom, free to play with color light-sensitive materials. The final product: a color alternative to Rayographs and, with a tip of my hat to Man Ray, I named the images Natagrams.
To learn more about Man Ray’s Rayographs, view Museum of Modern Art’s multimedia presentation.